13

Apr
2019

France24 Report on Year Of Return: Hundreds of African-Americans resettle in Ghana

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France24 has in a report looked at how Ghana is increasingly becoming home to hundreds of African-Americans especially in light of the on-going ‘Year of Return, Ghana 2019’ campaign. The report looks at the lives of some African-Americans who have settled in Ghans over the years. Read and watch the report below.

Ghana was one of the main West African departure points for the transatlantic slave trade. Today, the government has launched a campaign to reach out to the descendants of those Africans who were forcibly removed from their homelands. It has dubbed 2019 the “year of return“. Several hundred people have already put down roots in Ghana, many of them African-Americans. Our colleagues from France 2 report, with FRANCE 24‘s James Vasina.

This article comes on the heels of other reviews published earlier in the year.

Watch the programme/video report prepared by Patrick Lovett and James Vasina below.

 

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HomeToGo – https://visitghana.com/ghana-listed-in-top-10-trending-summer-destinations-for-2019/

Year Of Return: “Come with an open mind and heart” – Mona Boyd invites Diasporans

Year of Return: African Diaspora in Ghana for Back2Africa Festival

CNN: CNN Travel lists Ghana as place to visit in 2019

 

About Year of return, Ghana 2019

The “Year of Return, Ghana 2019” is a major landmark spiritual and birth-right journey inviting the Global African family, home and abroad, to mark 400 years of the arrival of the first enslaved Africans in Jamestown, Virginia. The arrival of enslaved Africans marked a sordid and sad period, when our kith and kin were forcefully taken away from Africa into years of deprivation, humiliation and torture. While August 2019 marks 400 years since enslaved Africans arrived in the United States, “The Year of Return, Ghana 2019” celebrates the cumulative resilience of all the victims of the Trans Atlantic slave Trade who were scattered and displaced through the world in North America, South America, the Caribbean, Europe and Asia.

The Ghana Tourism Authority(GTA) under the auspices of the Ministry of Tourism, Arts, and Culture is leading the project in collaboration with the Office of Diaspora Affairs at the Office of the President the PANAFEST Foundation and The Adinkra Group of the USA.

One of the main goals of the Year of Return campaign is to position Ghana as a key travel destination for African Americans and the African Diaspora. In 2019, the events planned throughout the year will serve as a launch pad for a consistent boost in tourism for Ghana in the near and distant years. Beyond tourism, this initiative supports one of the President’s key developmental agendas in Ghana Beyond Aid. We know that tourism can be a leading indicator to business and investment.

We are focused on ensuring that our brothers and sisters have a safe, pleasant and wonderful journey home so they will want to come back, get involved, see the opportunity that exists in Ghana for us to work together and begin to rebuild what has been stolen and lost over the past 400 years.

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02

Jan
2019

Inside Ghana’s Elmina Castle is a haunting reminder of its grim past

Posted By : Collins/ 2752

Source: Tanni Deb, CNN and Segun Akande, for CNN (CNN Africa)

Across Africa, from the north of the Sahara to the West African coast sit many relics of the continent’s early interactions with Europe.

In Ghana, two of the country’s most famous spectacles, Elmina Castle and Cape Coast Castle are truly imposing.
But their ancient walls were once home to one of the most tragic and brutal periods in the history of humanity — the transatlantic slave trade.
The bigger of the two, Elmina Castle, is a white-washed fortress on the coast of the small town of Elmina in what is now modern-day Ghana. First built in 1482 as a Portuguese trading settlement, the 91,000 sq foot behemoth was one of the principal slave depots in the transatlantic slave trade for more than three centuries.
Today, it is a UNESCO World Heritage site that attracts tens of thousands of visitors every year.
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This slave castle’s inner walls are a haunting reminder of its gruesome past 08:59
Some of them, like Ivor Bartels, are looking to reconnect with their lost family’s heritage and unwittingly, a lot more. “My mother is Belizean, and I was born in the UK. I’m Afro-Caribbean, British-Caribbean. My name took me to Ghana because I knew there was Bartels here,” he say in the halls of the old castle.  “I thought this was an ideal place for me to start my journey; to search for my roots, for my past, and to find out really what happened here within these walls.”

‘A dark history’

Alex Afful, a tour guide at the castle, says there are two schools of thought on the inspiration behind the castle’s name.
“One believed that the word ‘Elmina’ is an Arabic name, which means ‘harbor.’ One also has it that it’s a Portuguese word meaning, ‘the mine,’ Afful says.
When the Portuguese first arrived, their main commodity was gold, Afful explains. “At the rate they were getting it, this made the Portuguese to think or believe that a gold mine is found here,” he says.
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However, when European powers began to invade Africa for slaves, Elmina became an essential stop on the slave route and a prison of sorts for captives.
Today, Afful retraces the brutal journey that most captives faced before being sold into slavery.  It often began by determining which prisoners were healthy enough for the long, arduous course ahead. “Normally they want the healthy captives, so first they have to count. They have an instrument that they use to open their teeth, to count the number of teeth that they had,” Afful explains. “In some cases, they have to be whipped for them to jump, for them to see how strong that they are. So, that’s the first phase. Now, when they get in here, day after that has been done, they were then put in the various dungeons.”
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Cape Coast Castle – From gold trade to slave trade 07:05
After being tested, the captives were confined to Elmina’s dungeons where conditions were shocking, even by the standards of the time. “…There were no toilets. There were no bathrooms. In some cases, they had straws on the floor, which they used as a mattress and so on,” Afful describes. “In all these dungeons, they were given buckets, which they were expected to ease themselves.” “But because of the conditions they were in, the chains they had on their feet made it almost impossible for them to get to this bucket,” he tells CNN.
Captives could spend as long as three months in confinement, awaiting their journey into a dark, and unknown future.
As Afful explains, negotiations were concluded before slave ships would carry their human cargo. But in a market where the seller had little control over how each slave could be distinguished, the buyers often felt the need to label their new property, in the most inhumane of ways. “Now, with the branding, each merchant has its own method of doing it. Some will use alphabet; some will use numbers on the form of a metallic stamp,” Afful describes. “They put it in the fire, already they have some oil on their body (to) prepare them for the journey. So they burn them on the skin,” Branded and subjugated, the captives were led aboard awaiting ships through the Door of No Return. “… when the ship came, they took them in batches through the ‘Door of No Return,’ and they get to the ship, for the journey to proceed from there,” he says.
The ‘Door of No Return’ still swings, centuries after, a menacing reminder of the captives’ descent into a life of terror and relentless servitude.
“Initially, this door was bigger. But when the slave trade began, it was reduced this way. So that one person can come in at a time,” Afful says.The Door, the dungeons where captives were restrained and the walls through which these slaves walked all serve as cues of a story that Africa seems to have confined to the past.
Opinion: Why young Africans need to know their history
It is an approach that Edmund Abaka, Associate Producer of History and International Studies at the University of Miami, believes we must rethink.
“We have to move away from the perception that, ‘oh, history is about the past, history is about people who are dead and gone,'” Abaka says.  “It is our story. If we don’t tell our story, somebody will tell their story,” he adds. For Bartels, the accounts of Elmina’s past revive a traumatizing story, yet the necessity of hearing these tales is not lost on him. “I can hear the wailing of my ancestors here. The souls that have been lost. … But it’s good to be home,” he says. Today, the town of Elmina is a lively, bustling hub — but the castle towers above it, an essential, yet painful reminder of its past.
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