Naia, Netta, and Mitty, at the Door of No Return. My daughter said: “Dad, I didn’t quite expect to see so many Mercedes on the road.” “Or cell phones everywhere,” added my girlfriend, “even with the street vendors.” I smiled, and turned from the guidebook to join them gazing out the bus window. True, their first trip to the Motherland was exposing them to a Ghana with more modern trappings than I observed in my prior journey 20 years ago when the country was just beginning its major economic ascent, becoming in 2011 not just Africa’s but the world’s fastest-growing economy. Yet the bus still had to crawl frequently over gnarly road conditions, giving us a clear view of the shacks and barefoot children that filled the landscape on our five hour journey from Accra north to Kumasi. “Dad,” my curious one chimed in again, “it seems like there are two Ghanas.” Let me back up to explain briefly that our 10-day journey was inspired by Ghana’s declaration of the “Year of Return” – the 400th commemoration of the Trans-Atlantic slave trade. It peaked the interest of my 15 year-old Naia and my girlfriend Antoinette (“Netta”); and it stirred in me the desire to reconnect with this country for which I had experienced love at first sight those many years ago. And so we heeded the call, for when Ghanaians – renowned for their warm smiles and sincere spirits – say “Akwaaba” (welcome), who can resist? Perhaps it is this open spirit that also explains the unification of this rapidly growing country, which is smaller than the state of Oregon and has nearly quadrupled in population over the last 50 years to its current 30 million. Ghana stands out not only because of its English-speaking capacity and political stability but its peaceful coexistence of 70-plus ethnic groups and its mix of Christians, Muslims and followers of traditional religion. One of the reasons why I consistently recommend Ghana as a starting point for those visiting the Motherland is its clear sense of a distinct, vibrant identity – the cadence, rhythm and passion of Twi, Ga, Ewe, and Fante; the bold, brightly-colored patterns of the Ashanti kente cloth; people’s elegant, straight-back stride; and the captivating “High-life” music pumping from car stereos and street vendor’s radios. Ghanaians have much to be proud of: their many indigenous cultures and languages which have not perished with English or modernization; their rich Ashanti traditions and continuing lineage of local royalty; and their transition, following 20 years of military coups, to democratic rule and effective multiparty elections with 70-plus percen participation rates (versus the USA’s 55%) and a peaceful transfer of power in 2016 between rival parties. Indeed, it was Ghana’s courage and leadership as Africa’s first country to break the yoke of colonialism that spurred on the succession of 1960s independence movements. Appreciation here extends not only to visionary statesman and prolific author Kwame Nkrumah but also to the mass movements behind him – and the women. We learned how this stems from the fighting spirit of Yaa Asantewaa – the 60 year old Queen Mother who led the Ashanti into battle against the British after they exiled her grandson the king. And, the country’s openness embraced our African American intellectual giants W.E.B. and Shirley DuBois, both of whom renounced their American citizenship and moved to the capital Accra in 1961 where W.E.B. died and is buried, after helping to forge the vision of Pan Africanism to unite the Continent and liberate Black people everywhere. They were followed by many African-Americans who planted the seeds of “return,” choosing to repatriate or consider Ghana their second home, including Maya Angelou and Malcolm X. It was inspiring to see large tour groups of our sisters and brothers continuing this tradition by making this pilgrimage, and learning that some have for years been deepening their ties here, buying property and making investments. “But do they see us?”, asked Mr. Alote, a local analyst and griot-historian whom we befriended at Accra’s Jamestown Café, a new center dedicated to promoting art and intellect, owned by acclaimed architect Joe Osae-Addo and his sister Maanaa, who was our gracious host. As he walked with us through Jamestown’s bustling neighborhoods, Alote raised a skeptical eyebrow about the perspective of those who are returning – seemingly concerned only about the past, while overlooking the plight of the people living today in the shadow of the slave fortresses. Though perhaps unintended, the three of us were forced to see. Undertaking long road trips and utilizing public transportation – including waiting for hours at local markets for the bus to fill – we observed first-hand that it is an extremely hard life for most people. Ghana is widely recognized for having done much to reduce poverty, yet 25% of the population still earn less than $240 a year; begging and homelessness is growing, and housing shortages, pollution and disease are severe in certain areas, with social programs notably underfunded. Conversely, “the number of millionaires will increase by 80% over the next decade and the country’s wealthiest 80 people own the equivalent of 7% of the country’s entire GDP”- as evidenced by the high-end shops we saw at the new malls, and the proliferation of expensive cars on the road. Brother Alote’s observations were worth considering, leaving me wondering about a sometimes overly sentimentalized notion of “return” by us privileged westerners who can afford thousands of dollars for the journey with a myopic focus on the past. I felt compelled to ask “return for what?” Indeed, was that not essentially the cry and demand of the people against their own beloved Kwame Nkrumah: “Independence — for what?” Nkrumah whose statue was toppled when he was overthrown in 1966. As noted by Thomas – our young, bright and impassioned guide at the Nkrumah mausoleum – the severed bronze head remains seated separately, ominously, as a stark reminder of the challenges of power and the potential consequences if leaders do not remain accountable to their people. “We seek more than a change in composition of our oppressors; we seek freedom,” Thomas said proudly. For this reason, the slave castles of Cape Coast and Elmina were particularly poignant for me on this trip. I cried; we cried; the groups of fellow sojourners all cried – for the dark, cramped dungeons, the torture rooms, the water pool above, specially designed to ensure that those attending chapel on top would not have to hear the cries and clang of the shackles below, the “Door of No Return” – all are harrowing reminders of man’s inhumanity to man. But they also remind us of the complicity of local kings and chiefs in the slave trade. Inspired by the Adinkra symbol “Sankofa” – learning from our past -we must never allow new forms of enslavement, whether by multi-national corporations or local businesses, not on ships this time but in sweatshops. Ghana’s great bounty – the precious minerals, oil, gas and a highly diversified economy – offer prosperity for not only a few but for the collective good, which is a common concern of many African traditions. Perhaps a new Diasporic partnership, spawned from the vision of DuBois and the Pan African pioneers, can fuel a new dialogue on building a truly justeconomy based not merely on “growth” but also on a real commitment to distribution and quality of life (health, education, living wage, etc.) for the average person; and hopefully it will address the paradox of persistent poverty within the wealthiest continent, possessing 70% of the world’s mineral resources. A new, productive conversation would move beyond the common refrain of “corruption” to address the fundamental underlying issues of extraction and the undercounting and siphoning off of the Continent’s massive wealth. After all, it was Nkrumah who warned against such insidious patterns of “neocolonialism,” patterns which may explain why all of Ghana’s riches and economic growth are somehow still rated in the “official” global indicators at a value that is one-third below the economy of Cuba, a country considerably smaller by size and population, virtually absent mineral resources and US investment, and operating outside of “free market” principles. Embarking on its own path, Ghana, could become a real-life “Wakanda” – “WaGHANdA”! – leading a Continental and Diasporic commitment to local ownership, control and processing of its own natural resources; to prioritizing local goods over its extensive imports; to cultivating new technologies that are sustainable and life-affirming; and to building a “development” model that is not constrained by “growth” and accumulation in the hands of a few but cares for distribution and quality of life for all. Gathered on our last evening for a talk by scholar Kojo Yankah at the Jamestown Café on the state of the Black Diaspora, a young Ghanaian-Londoner asked how we influence the next generation against the tide of social media and commercialism. I have faith that with its proud traditions, political stabilization, strong economy, increasing commitment to education, and cultural vitality – Ghana – with solidarity and support from the Diaspora and loving allies — will find a way. In fact, it offers the hope for new, distinct and sustained African identity that doesn’t seek to emulate the West. It is perhaps this distinct creative element that can assist the contagious transmission of a new, transcendent vision beyond materialism, consumerism and individualism — focused instead on collective liberation, the realization of full human potential, and planetary survival. In this designated “Year of Return,” a marker was placed on the back of Cape Coast castle – at the very spot where our enslaved ancestors took their final steps before being hauled into that horrific Middle Passage. Above the final portal there is now a new sign: “Door of Return.” As we turn and confront our past, let us not only draw from history but commit to forging a truly transformed future. “WaGHANdA Forever!”

source: blackstarnews.com

The Ghana Tourism Authority (GTA) under the auspices of the Ministry of Tourism, Culture and Creative Arts, has declared September a Month of Tourism geared towards promoting domestic tourism and whipping up public interest.

This coincides with the United Nations World Tourism Organisation (UNWTO) celebration of the World Tourism Day (WTD) 2019 slated for September 27, in India, on the theme: “Tourism and Jobs: A Better Future for All.”

Ghana’s celebration, as a member of the UNWTO, is to highlight the importance of the tourism sector to the economy and to mark the ‘Year of Return’ during which the Ashanti Region would host the WTD celebrations.

Mr Ekow Sampson, the Deputy Chief Executive, GTA, who made the declaration at a media briefing, said that Government was pursuing quality tourism development, which was internationally competitive and well-suited to Ghana’s social values and environmental setting.

He said aside its economic benefits, tourism helped to market the country’s cultural, historic and environmental heritage to the international community and educate the indigenes on their country’s values.

He said the GTA had initiated a national theme dubbed: “See Ghana, Eat Ghana, Wear Ghana and Feel Ghana,” an innovative marketing strategy to enable Ghanaians to appreciate their tourism, culture and creative arts potentials and engender cross-culture exchanges as well as a culture of travel.

Mr Sampson said the Authority had endorsed a number of festivals as avenues to propagate national culture as they connected citizens to their roots, origins, values and cultural heritage.

He called on the private sector and the media to promote the Authority’s initiative and the declaration of September as the month of tourism in Ghana.

Activities earmarked include Asogli and Fetu Festivals on September 7, Wormanne African Ware Festival, September 20-23, Nkrumah Memorial Lecture series, September 21, Music Conversation Summit, September 25 to 26, and Ngmayem Festival, September 28. There would also be the ‘Yen Ko Kwahu Festival’ in partnership with Kwahu Professionals Network (KPN) and other Kwahu groups from September 20-25.

The celebrations would be held in the Greater Accra, Ashanti, Eastern, Volta and Central regions from September 1 to 29.

Mr Davis Opoku Ansah, the President of Kwahu Professionals Network in the Eastern Region, said the most of the activities would be held in the Region to showcase tourists’ destinations that most people were not aware of and urged the media to create awareness of all events to make the celebration a success.

Source: peacefmonline.com

As this year has been adjudged as the “Year of Return, Ghana 2019” an initiative set aside to commemorate this quarter-centenary since the anchoring of the first slave ship in Jamestown, Virginia, Ghanaian musician Kojo Black has released a music video which best suites this memorable occasion.

Titled “Sunshine In Africa” and features Atimbila, the distinctive music video was shot in a location believed to be in the Northern geographical area of Ghana. The clearly tells his history of Ghana and Africa at large as the apparels worn in this visuals were clearly an African cultural way of dressing.

The video which was directed Soba displays beautiful and rich vegetation inherited from the firefighters of Ghana’s independence. It also displays some of the most interesting tourist sites in Ghana. Vixens in this wonderful piece were seen holding national colours of another African country, thus, the flags of Nigeria, South Africa, Ghana, Burundi, Guinea, Liberia, Kenya, etc.

Kojo Black in the video was urging the Ghanaian and African diaspora to return back to learn more about the history of their forefathers.
The “Year of Return, Ghana 2019” is a major landmark spiritual and birth-right journey inviting the Global African family, home and abroad, to mark 400 years of the arrival of the first enslaved Africans in Jamestown, Virginia. The arrival of enslaved Africans marked a sordid and sad period when our kith and kin were forcefully taken away from Africa into years of deprivation, humiliation and torture.

While August 2019 marks 400 years since enslaved Africans arrived in the United States, “The Year of Return, Ghana 2019” celebrates the cumulative resilience of all the victims of the Trans Atlantic slave Trade who were scattered and displaced through the world in North America, South America, the Caribbean, Europe and Asia.

Watch video below

Source: ghanaweb.com

The Bisa Aberwa Museum created by the legendary Kwaw Paintsil Ansah, one of Africa’s most respected filmmakers and founder of TV Africa will formally be opened to the public on October 26, 2019.

Bisa Aberwa Museum houses one of the world’s largest private collections of artefacts, sculpture and audio-visual representations of the African story.

The specimens on display are about personalities whose sacrifices have helped shape African history, both within the continent and the diaspora.

They capture events within the slave dungeons in Africa, the toils of the Africans on the slave plantations and highlights of the Civil Rights Movement culminating in the election of the first African American as President of the United States of America.

The museum was earlier inaugurated by Her Excellency the First Lady of Ghana, Mrs Rebecca Akufo Addo, at an impressive ceremony on 28th July 2019.

Bisa Aberwa Museum has about 2,200 exhibits and located at Nkotum Mpo in Sekondi in the Western Region of Ghana. On display are cutting edge sculptural and audiovisual representations of Africa’s glorious past and the events and personalities who shaped that history. Museologists and other well-travelled individuals who have had an encounter with Bisa Aberwa testify to its uniqueness, one of a kind by a private individual.

Nearly 300 African Americans reconnected with their African roots in the journey of a lifetime marking the 400th Anniversary of the Transatlantic Slave Trade

NAACP led a delegation of nearly 300 African Americans, ranging in age from 4 to 90, on a transformative journey from Jamestown, VA to Jamestown, Ghana to reconnect with their African roots and commemorate the Year of the Return – a landmark spiritual and birth-right journey inviting the global African family, home and abroad, to mark 400 years since the arrival of the first enslaved Africans to the United States.

“In the Twi language of Ghana, ‘Sankofa’ translates to ‘go back and get it.’ We are standing in our ‘Sankofa’ moment,” said NAACP President and CEO Derrick Johnson. “We are proud to return to Ghana to walk in the footsteps of our ancestors and reaffirm that our existence is one of strength, power, resilience and liberation.  This experience has brought us all closer together and we have the knowledge we need to continue to fight for all of mankind. Strangers became sisters, fathers became mentors, children became playmates and a generation of the Black diaspora found their home.”

The journey began August 19th with a ceremony at the Jamestown Historic Center to honor the first enslaved Africans to arrive at Point Comfort and Fort Monroe near Hampton, VA.  The reflective, yet uplifting event included a processional, remarks from local and national NAACP leaders and an opportunity for participants to write messages to their ancestors.

The following day, the group visited the Smithsonian National Museum of African American History & Culture in Washington, DC before traveling from Dulles International Airport to Accra, Ghana. Here are highlights from Ghana: 

Akwaaba! Homecoming Celebrations

Drummers, dancers and local residents greeted the NAACP delegation at Kotoka International Airport, which included actor and humanitarian Danny Glover, as the group made their long-awaited arrival for the Year of Return. The group was first welcomed to the Jubilee House – the residence and office to the President of Ghana – for a photo opportunity, before heading to the Accra Visitor Center to meet with representatives from the Ghana Tourism Authority.

Per Ghanaian tradition, the group paid a visit to the Mayor of Accra and Jamestown chiefs, who to announce their arrival welcomed them with a blessing. Warm greeting remarks were also provided by President Nana Akufo-Addo of Ghana.

The group also paid visits to the village chiefs and elders in Cape Coast, as well as the Ashanti Queen Mother, a direct descendant of Nana Yaa Asantewaa – one of Ghana’s most acclaimed heroines.

The group visited Cape Coast Slave Castle – one of several castles along the coast of West Africa –  where millions of Africans suffered in dungeons at the hands of European slave traders. As the group wandered from chamber to chamber, hanging on to every word as the guide narrated the painful history of the ground they walked on, the agony in the air was almost tangible.

“This has been the most life-changing moment of my life,” whispered an elderly woman to her daughter as they exited the female dungeons and walked toward the Door of No Return – the last port of exit before slaves were taken away from their homeland forever. On the other side of the door stood a placard that read, ‘Door of Return.’

“They called this the ‘Door of No Return,’” said one of the tour guides. “They didn’t want you to come back but look at us now. You have returned. You have survived, and you have returned to us.”

Following the tour, nearly 80 participants received the results of their African ancestry, through AfricanAncestry.com. People traced their roots to Cameroun, Togo, Gabon, Guinea Bissau, Sierra Leone, Liberia, Equatorial Guinea, Senegal and more. The Haynes family, a multigenerational family of women traveling from Howard County, MD, were the last participants to be called. The crowd erupted in cheer and tears of joy when it was announced they were matrilineal descendants of the Akan people of Ghana.

Participants in the Jamestown to Jamestown journey, explored two complementing sectors in Accra, the cultural landmarks and monuments, and the prime opportunities for investment in the city, and to a larger extent, what the country represents for the Black Diaspora. Hosted by the Ghana EXIM Bank, NAACP President Derrick Johnson gave poignant remarks as to the purpose of the Jamestown to Jamestown trip, reminding the group that the threat to exploit Black labor is still an unfortunate reality across the world, and the need to recognize the value and power of Black labor and consumerism.

The group also took part in a variety of group tours in Accra and the surrounding area, visiting sites such as the home and museum of one of the founders of the NAACP, W.E.B. Du Bois, the Kwame Nkrumah Mausoleum and Park, the Centre for Scientific Research into Plant Medicine, and the very first cocoa farm in Ghana, the Tetteh Quarshe Memorial Cocoa Farm.

Source: naacp.org

Some 250 African-Americans gathered at the Cape Coast Castle, Ghana, to mark the 400th anniversary of the arrival of the first ship of enslaved Africans to English North America in 1619.

While this was ongoing, tens and thousands of African-Americans had assembled at the Chesapeake Bay in Hampton, Virginia, to also commemorate the same activity.

At an emotional ceremony at the Cape Coast Castle, one of about forty slave castles built in the Gold Coast (Ghana), over 70 families discovered their ancestry during the African Ancestry DNA reveal which is arguably the largest ever in the continent.

AfricanAncestry.com used its most comprehensive database of indigenous African genetic sequences in existence to trace their ancestry back to specific present-day African countries and ethnic groups of origin dating back more than 500 years ago, the only company that can do that.

“We intentionally planned for it to happen at the same time history tells us the ships arrived in the US. To touch the water on both sides of the globe where the ships landed and from where they left 400+ years ago helps to sustain the paradigm shift we feel of Africans throughout the diaspora longing to return at the tectonic plate level under the ocean floor through our bodies on earth up through and above the clouds with thunder and lightning,” says Diallo Sumbry, President and CEO of The Adinkra Group, curators of the historic Jamestown to Jamestown trip to Ghana in partnership with the National Association for the Advancement of Colored People (NAACP).

He disclosed in an interview that: “The return is spiritual in nature but manifests itself physically as it requires our bodies to physically return in order to invoke all our senses. Our spirits have been longing to return for a while,” adds Diallo Sumbry who is also Ghana’s first African-American Tourism Ambassador.

The historic Jamestown to Jamestown trip, co-facilitated by Sunseekers Tours and the Ghana Tourism Authority, enabled 250 people including actor, Danny Glover, to go on the tour from Jamestown, Virginia, to Jamestown, Accra, to trace their ancestry.

It started with a prayer vigil and candle light ceremony on August 18 in Jamestown, Virginia, where the English ship, White Lion, “brought not anything but 20 and odd Negroes” as noted by John Rolfe, the plantation owner and official overseeing the colony.

The 250 African Americans visited the Smithsonian Museum of African American history before moving to Ghana aboard a South African Airways flight.

They were welcomed with a royal durbar in Ghana which was joined by Ghana’s President Nana Addo Dankwa Akufo-Addo, the chiefs and people of Jamestown, Accra. It was followed by a two-day African-American Business Summit and a black-tie gala.

After the African Ancestry DNA reveal in Cape Coast, the participants visited the Assin Manso Ancestral Slave River Park aka the “Last Bath” and they performed a similar ceremony as in Jamestown, Virginia, where they captured water from the James River and wrote a message to their ancestors in a notecard and placed in a bonfire.

“Most participants felt the range of emotions that many feel when they visit. Anger, sadness, confusion, frustration, humility, gratitude and a sense of relief when you understand how much resilience this requires and distance from which we’ve come,” Sumbry explains.

“There was a family which was from the Akan people of Ghana. A grandmother, mother and two daughters. Three generations found out their maternal lineage came from Ghana,” he adds.

The participants visited other sites and events in the country including the Akwasidae festival in Ejisu, the Kumasi craft villages in Ahiwaa, Ntonso Craft Village, Bonwire Kente Weaving Village, Kwame Nkrumah Mausoleum, W.E.B. DuBois Centre in Accra and Arts Center among many other places.

“Jamestown to Jamestown was designed to be a tremendous success and a cornerstone of the Year of Return which I believe we’ve accomplished with the partnership of African Ancestry. More importantly, the impact after the partnership with the NAACP is what makes this journey and mission historic,” says Diallo Sumbry.

Before their departure, the African-Americans are expected to keep a lasting memory of the journey in their hearts and maintain their connection with the continent where their ancestors called home.

Source: ghanaweb

American actress, Choreographer and fitness trainer Adrienne- Joi Johnson popularly known in the showbiz circles as AJ Johnson believes Ghana is a haven for those seeking inner peace and a pure connection with their roots, unlike Hollywood.

The veteran actress who featured in 1992 hit movie ‘Sister Act’ expressed how refreshing it was to leave behind the hustle and sometimes exaggerated lifestyle that Hollywood has become famous for.

In an interview with Citi News’ Nana Adwoa Sarkodie, she stated that being in Ghana makes her feel complete.

“Ghana is a place of safety and security to learn my true history and to be aware of who I really am and my soul primarily because as an African American when I come to Ghana it is really obvious to me that I was abducted.

The 400 years has created a major gap and there is a lot of separation between us as people that I don’t believe should be there between culture, food, art, language and entertainment.

For me it is a very welcoming and safe place because I feel at home here and so even though this is the year of return I do feel like this is home and I feel like at this point I’m going back to the states to create and I come back here for home,” she explained.

She added that the authenticity of Ghana and its people makes it her preferred choice when she needs to leave the regular work hustle of Hollywood to truly be herself.

Safety and security for me mean a place to try and not be afraid to fail whether it is the Twi language whether it is African food or just bonding with people.

“I feel open, I feel transparent and I feel like I can be genuine.

“I have lived in Hollywood for a long time and that’s the land of make-belief, we get rewarded in Hollywood for pretending and this is a place of truth and respect.

“I feel like an American if you come understanding that this is a place to be yourself you will be welcomed,” she concluded.

During her short stint in Ghana which centred around the Year of Return, A.J Johnson took time out to engage and share expertise with stakeholders within the Ghanaian movie and creative fraternity on how to enhance and market their craft.

Source: ghanaweb.com

The Ghana Tourism Authority (GTA) has begun a nationwide training and sensitization programme for informal food and beverage sector.

The programme which began today at the Accra Technical University brought together food vendors from within and around the Central Business District of the capital city to discuss issues of food hygiene and proper ways of handling food and beverage for mass consumption.

Facilitators took the participants through topics such as, Food Safety and Hygiene, Food and Beverage Services with officials of GTA also sensitizing them on the 1% Tourism Levy which is required to be paid by entities within the tourism and hospitality industry. The vendors were also introduced to basic Finance and Accounting (Bookkeeping) in order for them to cultivate record-keeping habits.

Speaking to the media, Deputy CEO of GTA in Charge of Operations, Ekow Sampson averred that a larger portion of labour within the tourism and hospitality space is in the informal sector, hence the rationale behind the organization of the event.

According to him, with 2019 as the Year of Return especially, it was very imperative that food and beverage vendors were trained to apply best and healthy practices as they serve the consuming public who may be coming from all over the world.

“Research shows that unhygienic food contributes about 59.8% to food-borne diseases such as cholera and about 16.9% also comes from food poisoning, so we needed to address that. Secondly, there is also issue of quality service delivery, it is happening throughout all the tourism sectors, especially within the informal sector. So we want to get them to know the essence of providing good service delivery,” he stressed.

The training and sensitization programme continues to Tema on Thursday, August 29, 2019 and in the coming days and will be held across the country until 24th September 2019 when it ends.

Source: Voyages Afriq

American comedian and Television Host, Steve Harvey is heading to the African continent with his popular show ‘Family Feud’.

His company, Steve Harvey Global, has obtained rights to launch and host Ghanaian and South African versions of the television show.

Harvey’s company got the franchise license from Fremantle, a British international television content and production/distribution subsidiary of Bertelsmann’s RTL Group.

“Bringing Family Feud to Africa has long been a dream of mine,” says Harvey, who has hosted ‘Family Feud’ since 2010.

“I believe Family Feud will become a household name for local South African and Ghanaian families. And this is just the beginning in Africa. I expect this show to lead to multiple media and business projects in and throughout the continent,” he added.

‘Family Feud’ features two families competing to name the most popular responses to gathered survey questions in order to win cash and prizes is one of television’s longest-running and top-rated game shows watched by audiences around the world.

It is available in over 70 international markets including the U.S., United Kingdom, Australia, France, India, Indonesia, and now Ghana and South Africa.

Production will start in October 2019 in Johannesburg, South Africa, and will air in mid-2020.